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ou sur papier
and the misguided idea of one 'real' Italy
lui demandant de revisiter les bâtiments modernes les plus emblématiques du monde
Luciano Rigolini explore la nature de l'image photographique
Positive Illusions Delamare ou sur papierUsing CGI, Canadian artist Benjamin Freedman presents a captivating image sequence which meticulously reconstructs his childhood memories of a family road trip to Maine in 1999. Blurring the line between reality and simulation, these surreal images toy with the ephemerality of memory and its inseparability from fantasy. Freedmans recreated scenes of roadside diners, pools, and picnics create a visceral and sensory dreamscape, evoking the sounds and